AAC family
AAC-LC, HE-AAC v1 (SBR), HE-AAC v2 (SBR+PS), experimental xHE-AAC — ADTS .aac and/or MPEG-4 .m4a, with native WebCodecs and software fallback where needed.
Client-side audio · Browser & PWA · No upload farm
Coming soon
Effects-first transcoder with a real signal chain — not another Play Store junk converter.
Drop a folder of audio, dial LUFS and radio simulation, pick a codec like you mean it (AAC-LC / HE-AAC / xHE, LAME MP3, FLAC, Opus, AMR, specialty WAV), then batch-export a ZIP — entirely in the browser.
In development. Screenshots below are captured from the live chainDRiVE app — packaging and public beta still in progress.
Most “audio converter” apps are format laundry: one slider, muddy defaults, and zero respect for loudness, psychoacoustics, or batch workflow.
What junk converters do
What chainDRiVE does
(cDRV batch).zipMedia queue, effects, codec drawer, chain map, CHAiNAMP preview, job log, batch ZIP — swipe the rail.







Every stage is intentional. Loudness first, creative FX in the middle, encode last.
Load common containers (MP3, M4A/AAC, FLAC, WAV, Opus/Ogg, AMR, AIFF, CAF…). Resample and channel-map before any FX.
K-weighted integrated loudness with a target you set (broadcast-style −24…−6 LUFS range) and peak safety — not a dumb “normalize to 0 dBFS.”
Compressor, Signal Strength makeup, AM/FM radio simulator (hum, multipath, sferics, pilot…), Ear Protect shelf — drag the order, persist it.
Limiter closes the chain, then the encoder you actually chose. Multi-file jobs land in one (cDRV batch).zip.
If the UI only offers “High quality MP3,” it is not a transcoder — it is a toy.
AAC-LC, HE-AAC v1 (SBR), HE-AAC v2 (SBR+PS), experimental xHE-AAC — ADTS .aac and/or MPEG-4 .m4a, with native WebCodecs and software fallback where needed.
CBR/VBR, HQ toggle, psychoacoustic profiles (speech / music / wide / MS-only…), narrow stereo width — knobs for people who hear the difference.
FLAC; Opus (Audio / VoIP / Low Delay + complexity); AMR-NB/WB; WAV PCM 16/24/32f plus IMA/MS ADPCM and G.711 A-law / μ-law.
Sample rates from telephony up through 48 kHz; mono / stereo / joint stereo where the codec allows; size estimates before you commit.
Formats appear when the device can actually encode them — no fake “Supported” badges for codecs the browser cannot ship.
CSP locks the app to itself. Processing uses local OfflineAudioContext and workers — your stems are not a SaaS upload.
Terrestrial AM/FM failure modes as audio-graph events — selective fading, multipath, mains hash, tool RFI — then print the result to a file.
Hum, buzz, hiss, heterodynes, crackle/pops, sferics, selective fading, carrier flutter — seeded so rooms don’t all sound identical.
Quieting hiss, multipath, rasp, power-tool RFI, stereo separation, ceiling whistle, stereo pilot, program flutter — plus Signal Strength makeup.
Field dump: Faking AM & FM in Web Audio.
Queue a folder, set one chain + one encode profile, run once — get a ZIP, not twelve mystery downloads.
Drag-drop, select, process all. Same loudness and FX recipe across the set.
Terminal-style process log so you can see decode → LUFS → FX → encode, and abort mid-run.
(cDRV batch).zip packaging for the whole run — built for people who convert libraries, not single clips.
Browser-first PWA from Dialer's Apps — same studio as Global Chaos CB Radio and KAOS-FM.
Full workbench layout for Chrome and friends — the serious encode station.
Phone-first chrome with the same chain and codec depth — installable when we open the gate.
Play packaging follows once the public web build is locked. This page updates when beta opens.
Why a decent on-device transcoder still matters when the store is full of junk.
We’re finishing the public shell. When the beta opens, the button above turns into a real link.